Sounds x Words: Before They’re Famous//All Systems Go

     To take something small and give it action, reaction and finally, more importance—that is what drives artists to create, that is what inspires a generation. The social expectations associated with modern life can be a startling revelation to some, as we continue to grow and recognize the eye-opening power that a culture possesses and all its innate capabilities to profess emotions, images and messages into the innermost sanctums of the heart and soul. Me and most to all of the other scholars out there would whole-heartedly agree that the arts are paramount in defining and shaping a culture, made evident from the headlines on newspapers and blogs and the music made popular at the time. It is up to us, as people who exist in time and space, to mark our place in the fabric of the universe. While one could scream into the void to state their existence, others choose to use their music as a mode to channel their feelings, thoughts and emotions into emotional data that the listeners receive as a song, fit with melodies and lyrics that provoke or incite us to feel or act a specific way. Emotions and music — you can’t have one without the other.

In a recent conversation with All Systems Go, a pop-punk band of cool young dudes based out of southern New Jersey, we talked at length about the difficulties of being a collegiate musician and how that has played into their musical career. ASG vocalist and guitarist Matt Pezza attends Rowan University‘s MBA program alongside bassist August Baptista, who is also attending Rowan and working to complete his B.A. in Computing and Informatics. Drummer Joe Codispoti goes to Millersville University in pursuit of a BSE in Music Education and guitarist Devin Kollmar works in the area full-time. The four of them said that their gigs are usually seasonal (summer/winter) in the form of tours (8-12 shows at a time) but that this year promises to be a year for the books.


All Systems Go: Devin Koller, guitar/vox (left); Joe Codispoti, drums (center); Matt Pezza, vox/guitar (center right); August Baptista, bass (right)

You guys have members pursuing degrees across three different universities. What kinds of difficulties have you faced as student-musicians since you started as a band?

August: I’ve had a bit of a tumultuous school life over the last five years, and in the time we’ve been together as a band, I thankfully have only been in full time classes for one semester. Joe by far has had the most work to do as a student and musician and I can’t even begin to describe how much we appreciate what he’s given us.

Matt: Collectively I think our biggest difficulty is we can’t really be active in the music scene year-round. August and I are both balancing work with classes at Rowan/Rowan College at Burlington County, Joe is student teaching two hours away at Millersville, and Devin has an irregular work schedule. Our peers have noticed we do a ton of planning in advance, and this is the main reason why. When we are all home we put a ton of effort into the band but it’s been like this since the beginning and there have been a ton of slow spots.

Joe: I think one of the biggest challenges that we’ve faced has been staying active and ‘on the map’ during the semester. We do most of our gigging in the summer and during the winter months when colleges are on break. While classes are in session, we try to stay relevant by posting a lot on social media, booking gigs (Matt does that), getting some writing or recording done to prepare for those gigs, and just generally keeping in touch and planning ahead as much as we can. The other challenge for me is my location. The other three guys are all local to the South Jersey/Philly area throughout the year, but I’ve been completing my Bachelors at Millersville University, just outside of Lancaster, PA. If we do want to gig or record while classes are in session, I have to drive four hours round trip to come back to New Jersey and then make it back to Lancaster for classes on Monday morning.

Devin: College was hard, I did not succeed.

Album Cover

Your last album, Garden State Skies was released earlier this year. What can you tell our readers about writing/recording this? What was the inspiration?

August: When it comes to recording, we went in almost completely clueless. We bought some equipment we didn’t need, had to backtrack, recorded everything in quick bursts of time. If you’re gonna record a full album, either do some heavy research or find a studio. Matt had to spend weeks of his own time trying to clean up the songs before we sent them to our producer, and ultimately our producer did his thing anyway. Writing wise, the ideas came from some of our old high school band, just re-imagined to fit our lives at the time. Matt wrote a lot of the songs from his experiences away at school. It’s a collection of experiences, and it meant a lot to us to put it out there. It took way longer than we ever thought, but the feedback and support has been tremendous.

Matt: My songs on the album were inspired by things that I think most college kids can relate to: Mario Kart, secret crushes, breakups, being drunk at crowded parties, and also experiences living overseas for a semester. The recording process was fun until we handed in the tracks to be mixed and realized we did a ton of things wrong, which led to mixing complications and delays. However, once we sat down and listened to the final product we were satisfied. We put in the work and now our music is finally out there.

Joe: The recording process for Garden State Skies was long and tedious. We tried to remain self sufficient throughout the process, only sending our recordings out to be mixed. We handled the recording, editing, and mastering responsibilities. But the end product is a fun and energetic 9-track album about living life as a young 20-something in suburban New Jersey. We’re happy with our debut album and we’re looking forward to making our music even better for our listeners going forward.

Devin: When it came to the writing process of our first album, it was all constant pen on paper.  There where many ideas built up from our time away from each other as well as new personal experiences. As a result we were able to get an album ready for studio (pre-production) within no time.  As for the recording process, it was a long and impatient wait.

As seen on your social media pages, you cover classic rock songs as part of your setlist. Who are your greatest influences and why? What song(s), if any, are your favorite to cover?

August: My personal greatest influences are Mark Hoppus and Tom DeLonge of blink-182. I can’t even begin to explain how much I’m a fan of theirs, I even have a blink-182 tattoo! We definitely mix in some older stuff, and I think my all time favorite cover that we do is “Interstate Love Song” by Stone Temple Pilots. We’ve been playing it solidly for 8 years now, and it’s always been a hit.

Matt: My two greatest influences are entirely different from one another. My favorite band has always been A Day to Remember, and I feel like you can hear some of that in our music. Lyrically I’ve always been a huge fan of Bruce Springsteen. My dad first got me into music when I was a little kid and would always play “Born to Run” in the car. To this day I think Bruce has to be one of the best storytellers in the music world. And my favorite cover of ours is “Kryptonite” by 3 Doors Down.

Joe: We take a lot of influence from pop punk groups like blink-182, Green Day, Yellowcard, and State Champs to name a few. However, we also mix in a bluesy rock and roll flavor into our music. Our lead guitarist is a big fan of Led Zeppelin, and I imagine that’s where that comes from. We also each have our own personal tastes that influence our sound. For example, my biggest influences as a drummer are Zac Farro’s playing with Paramore and my experiences playing jazz drums in school.

Devin: When it comes to the music that we write if its rock and roll then it’s an influence. We grab sounds from many bands across the pop-punk genre including Blink-182, Green Day, The Story So Far, Mom Jeans and many more. Even with all the influences we do our best to try and bring to the table sounds that have never been heard before.

You guys are currently recording a 5-track EP that includes songs that either didn’t make the final cut to Garden State Skies, or that you wrote while you were waiting to complete the album. What’s the concept for the record?

August: To me, the concept of the record draws from the post-college life. GSS had a lot of roots in college experience, and the situations we wrote about on this EP are about what comes next. Mostly about girls because hey, it’s pop punk, but on a much stronger level. It even features a song our drummer Joe wrote, which is going to be awesome because this is his first real experience writing with us.

Matt: The album was more or less me or Devin instructing the rest of the band how to play our finished ideas, but for this EP all four of us built each of the songs from the ground up. Similar to the album, the songs are fully based on personal experiences. There’s no central concept to the record either, which has made choosing a title all the more difficult for us. Still, if I had to decide on an overall theme, I’d say “high points and low points.”

Joe:  There wasn’t really a concept picked out going into this album. We wrote each song first, then tried to find some similarities and themes to tie everything together. All of the songs are about expressing powerful emotions, so currently the concept is strong feelings and lack of a stable middle ground. This will be more solidified when we actually decide on a title.

Devin:  This upcoming EP is what I’d like to consider our adolescence. With a more developed and mature sound it feels good to have music that we are extremely proud of and that holds up to a modern standard of rock n’ roll.   

What is your most memorable show and why? Any gigs coming up that might outshine that memory?

August: Hmm. Over the winter we played a show at The Barbary in Philly with 3rd Time’s a Charm, Ditz, and Dead Robins and it was just an absolute blast. It’s always wonderful to play a local show like some of ours at Curran’s in Palmyra, where we’ve had some big draws. I’m looking forward to any of our summer shows because we have so much more material to share with the people now.

Matt: I think my most memorable show was playing a full night at Curran’s in Palmyra in winter of 2018. That bar was pretty much where we got our start at open mics. I’ll always prefer original sets over full cover band nights, but being the house-band for the first time, and also for a packed house was really cool. Right now I’m just excited to start playing shows again so I’m most looking forward to playing Harper’s Pub in Clementon at the beginning of our June tour. The venue itself is really cool and the past few times I’ve been there (whether it be for an ASG show or watching other bands) it’s always a fun time.

Joe: To me, one of the most memorable shows was when we played The Trocadero Theatre in Philly on a Sunday at the beginning of the summer of 2018. If I remember correctly, this was our first gig in Philly, which was a big step for us. It was also the first gig of the summer after I came home from school, and I remember feeling happy to be back behind the kit with the guys. Oh… and we also ended up lugging my drum set down a few blocks of Chinatown because I parked in the wrong parking garage. I think I’d definitely describe that part as memorable! I’m looking forward to playing an outdoor show in Lancaster, PA this summer. I’ve had the pleasure to practically live there over the past four years and it’s such a great area and an amazing music scene.

Devin: For me the most memorable show has to be our very first show.  After not only walking away from music for a while but also the close friends I use to make the music with, it felt surreal to be sitting on a stage again in front of an audience. Once the show came and went I was eager for nothing more then show after show after show. 


In a sentence, how would you describe your local music scene?

August: “Love the local scene.” There’s some absolutely fantastic bands out there, and we’ve made some really great friends over the last year. Sweep Echo, Drive Theory to name a few.

Matt: “Every aspect of our music scene is wonderful.” I’m glad that we’ve been able to be a part of it these past few years.

Joe: “The local music scene in South Jersey/Philly has lots of variety and is growing rapidly.”

Devin: “Our local music scene is almost like a family.” We find ourselves constantly either playing with bands that we have already played with or attending some of the amazing shows put on in the tri-state area.  We’ve made many friends along the way and I’m looking extremely forward to meeting many more talents and especially some peculiar characters.

Anything else you want our readers to know?

August: Thanks for taking the time to read about us, and I hope you’re looking forward to our EP as much as we are.

Matt: Thanks for reading the article and supporting our music! If you want to see us live, our next run of shows starts June 1.

Joe: I encourage everyone to check out their local music scene. I didn’t until I was a part of it with ASG, and I had no idea what I was missing. It has been a cool journey learning to become a fan as well as a performer, and I’ve seen so many great live shows in the past few years. I hope that you enjoy our music and take something out of it, whether it’s a deep emotional connection or just a big smile. Thanks for reading about us and maybe we’ll meet you at a show sometime.

Devin: If you love music, don’t lose it–you may find it to be your light in the dark.


All Systems Go goes on a 2-week tour this Saturday. Be sure to check them out and follow them on social media as they rock up and down the east coast.

2019 Tour dates:

6/1 – Harper’s Pub, Clementon NJ

6/6 – Time Out Entertainment, Barrington NJ

6/7 – Station One Center for the Arts, Lancaster PA

6/8 – Bourre, Atlantic City NJ

6/11 – Rack’s Pub, Atco NJ

6/13 – Bourbon & Branch, Philadelphia PA

6/14 – The Stanhope House, Stanhope NJ

6/15 – The Boardwalk, Ocean City NJ 

Sounds x Words: Before They’re Famous//Tetrafuze

TetraFuze started this musical journey in the spring of 2018 with only some guitar riffs and the idea to record an album. With four members who differ in many different ways, from musical background and influences to playing styles, it is hard to define this band as one true genre or subgenre. The closest I can describe is a powerful commercial alt-rock sound, like a indie fusion project in your neighbor’s garage, like a zebra who doesn’t know he has stripes, or like 311 but better and with a fresh, young outlook on life.

Frontman Landon Randall grew up with classic thrash and grunge as his greatest influences; drummer Tyler Secrest has influences across the board from contemporary jazz to Breaking Benjamin; guitarist Kaylon Grimsley has a background of alternative influences including Muse and the Arctic Monkeys; and bassist Travis Collins, who cites his inspiration comes from bands like Tool and Three Days Grace.

To put things in perspective, Tyler is currently a student at Pittsburgh State University, and Landon is a finance major at the University of Kansas. Despite having hectic schedules during fall and spring semesters, coming together to “fuze” their four different playing styles is always a priority. Student-musicians can, and in fact, do, practice effective time management skills in order to make rehearsals work with studying, playing gigs while finishing their degrees.  

A small moment later and I was able to get a conversation with Landon to talk about the band, the release of their album, Welcome Home and what the music scene in Kansas is really like. 

Tetrafuze in-concert Credit: Hunter Crane


I see that some of your members attend the University of Kansas and Pittsburg State University. What kinds of challenges have you faced as a band with their members pursuing higher education in different schools?

Landon: It’s more difficult to practice together when school is in session. During summer, it’s easy to get at least one rehearsal weekly, but during the semester we are lucky to get one in a month. It’s also difficult to schedule shows when our schedules are so limiting until the breaks.

You just recently completed your first full-length album ‘Welcome Home’. What can you tell our readers about the record?

It started off as a just for fun project that turned a little more serious as we recorded. We made it into a thematic album that follows a former soldier through a dark time in his life. The music itself is very diverse with anything from soft rock and blues to hard rock and metal. It is definitely an album we plan to build off of stylistically as we continue to make more music.

What was your last gig like? What does Kansas’ music scene look like?

Our last gig was a fairly good one. The turn out wasn’t as much as expected due to the snowy weather conditions, but those who did show up brought some amazing energy to the show. The Kansas scene is very overcrowded right now. There are very few venues and so many local artists looking for gigs that it is hard to get on a bill locally. That’s why we like to play out of state most of the time, because it is easier to book shows and more opportunities going that route.

Credit: Hunter Crane
Tetrafuze Credit: Hunter Crane

And as a follow-up question, what are your observations about today’s music scene as a whole?

There are so many good artists out there, and many do not get the attention they deserve. It can be difficult to get attention towards new original music with the over saturation of artists in today’s world. However, this pushes musicians to make the best music they possibly can, and from a consumer point of view, it’s a great thing.

You guys are signed to Sliptrick Records. How have they influenced you and how did you get to where you are today?

Sliptrick was a point where we decided to take our music a little more serious. Being on their roster has definitely opened doors that would be locked for us otherwise, and it continues to open new opportunities for us as we continue through our music career.

In your opinion, what role does social media play for musicians? Musicians in college?

It is crucial to push the image you want to give off and to grow your following. Having a good following with good number across the board, with likes, shares, and views, can make a musician’s life much easier, especially when booking shows.

What is a guilty pleasure song/band/album that you all share?

A guilty pleasure we all share is Muse’s latest album Simulation Theory. It is constantly playing in the van. The only other thing that I can think of is “Country Roads” by John Denver. That song plays every time we get back in the van after a show.

Credit: Hunter Crane
Tetrafuze Credit: Hunter Crane


Following the completion of their Lighting the Fuze tour this past winter, the guys started and finished recording their second full length album, Soveriegnty of the Tortured and are in the process of booking new tour dates from mid June to the end of July.

Give their latest single, “Personal Purgatory” a listen right here

Sounds x Words: Before They’re Famous//Arcadia

My name is Andy Reed, and the idea is a simple one: what happens when you combine the drive for higher education with a never-ending Rolodex of band press kits and social media pages? With a cup of coffee and a great deal of patience, I look and listen for the next young somethings out there to give them a moment in color. Shine on you crazy diamonds, and let it be known that this is the moment in time before you were famous.


With the rise of streaming platforms and the lackluster attitudes directed toward radio stations, the environment for independent bands is on the decline. The grunge-funk band Arcadia, composed of three undergrads at the University of New Haven, rings new light to the alt-indie sound with their lyrically-driven progressive style, bridging the gap between the Rolling Stones and Nirvana. Based in West Haven, Connecticut, this power trio produces a sound that resonates with anyone who likes a solid progressive breakdown like that of the White Stripes, or who can groove to a verse pattern similar to that of the Pixies.

The newest demo off their latest self-titled EP, “Do You Love Me,” has the colors of indie rock but waves the freak flag of classic punk music. Punctuated with rhythms that predate their time, Arcadia “doesn’t give a shit about your politics,” and clearly does so with their music.

After a few weeks of coordinating interviews, I was able to catch up with Arcadia to dish about the status of the DIY indie-punk space and what the Northeast music scene really looks like. Punk is still alive and well, it seems.

You’re a self-proclaimed grunge-funk trio from New Haven, CT. To those who don’t know, what is the music scene like over there? Any recent successes?

Arcadia: The New Haven music scene is awesome.  There are tons of DIY venues and basement shows, the community is very supportive and always makes the shows a great time.  As for successes out of Connecticut, I think it all depends on how you measure success. For us, even though were just starting out, we feel like we already have had more than we could imagine. We have people listening to our music regularly, coming out to our shows for us, and it feels awesome.

You sound something like Nirvana mixed with the Red Hot Chili Peppers with a dash of classic rock like the Rolling Stones, Kansas or REO Speedwagon. Do you agree/disagree? What are your influences?

Arcadia (from left to right): Michaela Sullivan (Bass), Chris Theurer (Vocals/Guitar), Tom Barvick (Drums)

Tom: Yeah I think that sums us up pretty well! The cool thing of this band is we all come from different areas.  I am from Boston, Chris is from New York, and Michaela is from New Jersey, so environmentally we all have different influences.  Musically, we also are quite diverse in what we listen to, while having a lot of common ground between us. I draw influences from a wide variety of artists, which I think helps a ton on writing drum parts for our songs, or helping out with the songwriting.  Some of my main influences are Filter, Red Hot Chili Peppers, Townes Van Zandt among many others.

I really respect Kurt Cobain as a lyricist and songwriter, so his influence on me is pretty huge.  The Foo Fighters are also a big influence on me with how rocking they are, and the Chili peppers definitely influence me with their funkiness.

I draw inspiration from the RHCP bassist Flea and the Black Keys. The fact that the [Black Keys] are only two guys and they are able to create such a big rocking sound inspires me, and since we are only a three piece I take that as an inspiration that we can sound huge as well.

You’re working on releasing a full-length album this year. What does your writing/recording process look like? Any stories from the studio?

Tom: We are super excited to get our full length out there. The writing process typically looks like Chris coming into the room with an idea that he wrote acoustically, and then we jam it out as a band until we reach a sound that we like.  For the recording process, we are always determined to get the best product and work efficiently. We were lucky to be able to work with our friend Joey Stanca at Checkmate Creative* for this full length.
Having someone you are good friends with who also is really good at what they do is a great time. It makes for a fun setting because we were able to goof off and have fun, while ultimately all being focused on reaching the same goal. These late night sessions were fueled by many McDonald’s and 7/11 runs, and many shenanigans.  Some good stories from the studio would be: On the day we were supposed to start drum tracking, I was playing recreational flag football the night for fun, and some dude decided to take it too seriously and make it a full contact sport. He destroyed the cartilage in my index finger and I was in the ER the whole night, and we had to delay the tracking by a week.

In your opinion, is the university environment conducive for musicians? Why or why not?

Arcadia: Our university (University of New Haven) is definitely great for meeting like-minded people and meeting musicians, due to it being partially a music school.  So, yes certainly the right university will definitely be beneficial for networking and meeting people with different backgrounds but similar interests.
If it was up to us we would be writing and rehearsing and touring as much as we could, but obviously we also are here for an education, so we have to devote a lot of our time to classes and work.

What has been your biggest challenge as a band? Have you been able to overcome that challenge?

Tom: The biggest challenge for us, or any band in this current time, is getting our music heard.  We live in a great time where its easy to distribute music to streaming platforms, and more music is being put out than ever before.  However, that leads to challenges getting music heard because its easy to get lost in a sea of other things being released at the same time.  Its all awesome for sure, but definitely adds a challenge.

What happens now that the album is finished? What’s next for you?

Arcadia: We are just focusing hard on getting this album out and promoting it. We have worked really hard on it and want everyone to hear it and hopefully connect to it get something out of it.  We also are looking to play way more shows, and especially get out to other parts of the country, and hopefully the world.



If you’d like to catch Arcadia on the road, their tour dates are as follows:

Tour Dates:
March 16 – Ted House, Allston MA
March 22, Boontunes, Boonton, NJ
April 13, Thee Sun, West Haven, CT
May 11, Cherry Street Station, Wallingford, CT
May 14, Tazraks, Naugatuck, CT

Sounds x Words: Before They’re Famous//Josh Gachette & His Pioneers

Welcome to the first installment of “Before They’re Famous.” My name is Andy Reed, and the idea is a simple one: what happens when you combine the drive for higher education with a never-ending Rolodex of band press kits and social media pages? With a cup of coffee and a great deal of patience, I look and listen for the next young somethings out there to give them a moment in color. Shine on you crazy diamonds, and let it be known that this is the moment in time before you were famous.

Somewhere in Flushing Queens, NYC, the four-piece Josh Gachette & His Pioneers are painting the psychedelic country genre their own shade of bold. Gachette, 25, started writing Pioneers as a sunshine pop album in 2011, sculpting his western shoegaze soundscape in the studio and in between classes at CUNY into the intrepid sonic expedition that it is today. Pioneers (2019) is a unique record that draws parallels between urban renewal and colonialism, gentrification in the shadow of imperialism and reconciliation of identity within a nation in conflict. After listening to a few songs, I reached out to Josh and his band of journeymen for their take on the lessons and experiences gleaned along the path of musical discovery. Typical listeners of country music may want to take their boots off and sit a spell.

You are pursuing a Master’s in Labor and Urban Studies. What kinds of challenges have you faced pursuing higher education? Any conflict between school and the pursuit of your music career?
Josh Gachette: School is expensive — especially the name brand variety. I haven’t had any conflict with balancing school and music, no. I never had the goal of becoming a professional musician, and I enjoyed a lot of things about academia. I procrastinated by writing music though, and my grades suffered as a result. John E. Appleseed took my GPA down a bit. That’s the sacrifice I made to write the songs on the album, though. I love writing essays and an album seemed the musical equivalent of an essay.
What can you tell us about your recent release, Pioneers?
J: The melody came first on this album, so I had to make the words fit. It was hard to lose words that I really care about. The masochist in me liked those boundaries though, because I can ramble when I write. “Pioneers” feels like the single project to me, and it’s a mosaic of individual songs — as opposed to these single songs I worked out making a constituent whole. I started writing it in 2011. I’d been a drummer for six years at that point, so I knew how to mess up on guitar while keeping time. I did that for another six years, on guitar, bass, banjo and flute and those happy accidents composed the album.
The last song on the album, “Hinterlands,” is one of the first I wrote. Years ago I’d made a demo of it on hand percussion, stylophone, harmonica, flute, and bass — I was convinced it was as good as anything I could ever produce. So in the presence of our mutual friend I asked my old friend Jeremy Carroll to help me clean up the track on Garageband, so that I could post it on Soundcloud. I’d been his session drummer for a couple years, and I thought he was a really talented producer. He refused to clean “Hinterlands” up, saying some version of “if we’re gonna do this we’re gonna do this right.” It took four years, but we’ve gotten it right.
Besides producing it, Jeremy played most of the string parts on Pioneers, and keys, and mastered it. He’s been a venerable one-stop shop of epic proportion. He’s the godfather, for sure.
You used Kickstarter to fund your album. What was that process like? Is Kickstarter and crowd-sourcing an effective method of fundraising for musicians?
J: Brainstorming the Kickstarter campaign was really fun. Stressful and disappointing at times, but ultimately super fun.  I loved infomercials as a kid, and I think there’s a really cool evangelical underbelly to how they pitch products. I thought of the Kickstarter as an evangelical pitch, or like Howard Beale with a bit of Mister Rodgers who saying he’s mad as hell but also welcoming you into the neighborhood.
But the campaign was totally different from how I’ve gotta brand myself as an artist. I think there are two types of artists on Kickstarters: amateurs with a pilot project, and professional musicians with a new big project to fund. Professional musicians have fans, but i didn’t have that cultural capital to turn to to fundraise. So I can’t speak to how established, professional musicians feel. I started the Kickstarter before I was a professional musician. But i can say that as an amateur, Kickstarter forced an identity crisis out of a me. I’d recommend any new artist who’s going to use Kickstarter to really do some soul searching. It can incentivize you to shuck and jive. But at the same time a lot of Kickstarters fail because the goals are too high or a musician doesn’t brand themselves well enough. In that sense, Kickstarter can be a really good selective filter or creative incubator.
Who are your influences? Who has impacted your sound the most recently?
J: Debussy and Ravel are super cool, as is Shigeo Sekito. I watched a lot of Vietnam documentaries as a kid, because it seemed like the best way  to understand the Afghanistan War. In turn, I got way into the 60’s counterculture. John Phillips is maybe my favorite songwriter, loathsome as he is. His take on L.A. country has a lot of heart.
In a few words, what makes a song good? What makes it great?

J: A good song hits the “golden” ratios harmonically and rhythmically. I don’t know what those are mathematically, but I know them when I hear them. A *great* song on the other hand, takes that perfection then bends it into something that resonates across time and cultures — like a hypnotic tuning fork. A great song is smarter than it seems!

What does 2019 look like? Anything on the radar?

Frontier Delusion: A Pioneer’s Guide brochure cover    Credit: Josh Gachette

J: I’m excited about my brochures! So far we’ve finished one, with another on the way — brochures modeled after national park field guides, that elucidate the ways that urban life reflects frontiersmanship. I’ve got a new EP on the way too, called Yampee. This one feels properly country in a way that Pioneers didn’t. I understand country music better after having my heart broken, which Yampee is based on. (It was a saccharine pang.) If I can I’d like to play all the instruments on that one, kinda like an unhinged Skip Spence i.e. OAR vibe. We’ll see what comes of that, but I love thinking of that messy fraught energy juxtaposed with the scholastic poise of the pamphlets. My discography is making its own Jekyll and Mr. Hyde split, it seems.
Expecting big things out of Josh and his band in the months to come. You can listen to Pioneers below:


Photo credit x Skinny Dennis Brooklyn